INCAA - ten years after his departure- celebrates the work of David Viñas, teacher, playwright, novelist, essayist, Scriptwriter for movie and television.

He belonged to a generation that questioned the established canons either in the artistic fields, politicians, social and cultural, to that generation crossed by political and cultural commitment.

According to Ricardo Piglia, Viñas' work focused on ” outrage over forms of oligarchic violence, especially oligarchic domination, the persistence of that denomination and its multiple manifestations at different levels of national history”, some of that outrage is reflected in his multiple scripts, like in “The boss” directed by Fernando Ayala de 1958, starring Alberto de Mendoza and Duilio Marzio with music by Lalo Schifrin, then came “The candidate” in 1959, also from the hand of Fernando Ayala with Olga Zubarry, Duilio Marzio and Alfredo Alcón, to name a few names.

In 1960 premieres “Saturday at night, who”, Ayala returns to direct, with Viñas' argument, which starred Gilda Lousek, Luis Tasca, Aída Luz and Domingo Alzugaray. In 1962 Directed by José Martínez Suárez on Viñas script premieres “To face” with Leonardo Favio, Luis Medina Castro placeholder image, Pablo Moret and Nuria Torray as protagonists; in 1985 would arrive “White death” by Héctor Olivera again on the argument of David Viñas and Olivera himself, an Argentine-American co-production with John Schneider, Federico Luppi, Rodolfo Kathi Witt's Share, among others.