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The Museum of Modern Art opened the exhibition “Nicanor Aráoz: solid dream”

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The Modern Museum inaugurated the exhibition “Nicanor Aráoz: solid dream”, a landscape with four large pieces that stage various rehabilitation processes, and are central to the artist's concerns for how human beings suffer, inhabits and relates to an unstable and tense world.

Araoz (Buenos Aires, 1981) investigated for this exhibition the forms of the human body to create images in which the body unravels and recomposes itself when faced with violence, to debauchery and eroticism, through different processes of metamorphosis.

“Solid dream”, curated by Lucrecia Palacios, It is a project created especially for the rooms of the Modern Museum and if in previous exhibitions Aráoz had worked on repressed drives - crime, the sexuality, torture-, here he moves away from the traumatic story and wonders about the possibility of the existence of new forms of life that bring together technology and nature, the organizers specified.

The sample can be seen in the museum, located in Av. San Juan 350, until the 21 February with free admission and prior reservation at https://entradas.museomoderno.org/, as established by the protocols implemented by the coronavirus pandemic.

Also until Sunday, the emblematic work can be seen on the facade of the Modern “Enough of polluting” by the Argentine artist Nicolás García Uriburu, that opens a bridge between digital programming and the physical experience in the museum, which marks the beginning of a new hybrid format of the Modern Museum.

The initiative is part of the digital program that the Museum develops during this fortnight, under the title “That's enough! Art in the face of the environmental crisis”, with which it invites to reflect on the climate crisis and to rethink the terms of environmental and social justice, from the Modern Museum At Home platform.

The work on display is a centerpiece of García Uriburu's legacy and is a backdrop to 5 x 15 meters produced for the coloration of the Riachuelo carried out in collaboration with Greenpeace in 1999, and belongs to the Azul García Uriburu collection.

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