The Museum of Fine Arts reviews the early years of Julio Le Parc
The exhibition “Buenos Aires-Paris transition”, which it opened at the National Museum of Fine Arts, meets early work of Julio Le Parc: a set of 104 work performed between 1950 Y 1960 that track their training, his early research in the visual field, turning in the quest to engage the viewer and brands which meant the passage from one city to the other.
Of the works exhibited in the temporary museum hall (drawings, engravings, Gouches and paintings), artist 90 years chosen as a synthesis of that period: “tapered blocks ambivalent” (1959), a geometric series of black and white, in which you experience the idea of movement.
“That's when I find the system to demonstrate the possibility of variations. It seems that the work moves “, he explained.
In a year that brings him tributes to the country -this opens Thursday “Mobile experiences” at the Teatro Colon and the CCK continues to present a major retrospective “A visionary”-, Mendoza artist living in Paris since the early 60 He came back with this show to present their works in the museum where exhibited in 1964 and early 2000, but this time under the artistic direction of his son Yamil Le Parc, responsible Workshop Park.
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