This Monday 16 from December, Museum Pablo Ducros Hicken Cinema will present its classic calendar year for incoming, this time dedicated to remakes of Argentine cinema and José Martínez Suárez at the top, by way tribute. This presentation will mean, also, the end of the season 2019.

from 18.30, the enclosure located on Caffarena 49 in the neighborhood of La Boca will announce the schedule will have on its cover "yesterday's guys used no arsenic", the film that immortalized Martínez Suárez and this year had its comeback with "The Tale of weasels", Juan Jose Campanella.

The calendar was created as a way of disseminating photographic heritage and honors past and present different moments of Argentine cinema. Eventually acquired deliveries thematic profile from which were presented in subsequent years: mothers, brides, villains, police, Argentine customs, literature, directors, Kisses, tributes to portraitists like Annemarie Heinrich and Sivul Wilenski swinging their faces and profiles remembered in popular memory with others who deserve remarcarse.

From its early days the film has been inspired by literary sources, theater, comics, TV series and also, in other films. In Argentine cinema not too remakes abound, but there have been several versions of classic popular theater and, some previous productions. Such is the case of

"Nobleza Gaucha", great public produced in 1915, whose sound version was held in 1937. Beyond the reasons that lead to a creator to rework an earlier film, one of the most interesting questions of this type of production is that we allow a glimpse of the differences that each era and author printed in its version.

Then, The sidewalk tells you what movies will be part of the pages of this calendar.

WAY: Barbara Mujica, Mario Plush, Narciso Ibáñez Menta, Arturo García Buhr and Mecha Ortiz in "The boys did not use arsenic" (1976), Joseph A. Martínez Suárez.

JANUARY: "The boys did not wear hair gel" (1937), Manuel Romero and, in 1969, Enrique Carreras.

FEBRUARY: "The board muchachada" (1937), Manuel Romero and 1967 by Enrique Cahen Salaberry.

MARCH: "The gang" (1960), Daniel Tinayre and 2015 by Santiago Miter.

APRIL: "Eyes full of love" (1954), Carlos Schlieper and 1967 "Will you marry me?”, Enrique Carreras.

MAYO: "Marihuana" (1950), Leon Klimovsky and 1968 "Smoke Marijuana", by Lucas Demare.

JUNE: "Adolescence" (1942), Francisco Mugica and 1966 "My first girlfriend", Enrique Carreras.

JULY: "When my husband kisses" (1950), by Carlos Schlieper and 1968 "Marriage to Argentina", Enrique Carreras.

AUGUST: "Young, widow and estanciera " (1941), Luis Bayón Herrera and 1970 by Julio Saraceni.

SEPTEMBER: "Cold-blooded" (1947), Daniel Tinayre and 1962 "A sword dies", Manual Wall Oti.

OCTOBER: "What happened to Reynoso" (1937) Y (1955), both of Leopoldo Torres Ríos.

NOVEMBER: "Children grow up" (1942), of Carlos Hugo Christensen and 1976 by Enrique Carreras.

DECEMBER: "Monte criollo" (1935), Arturo S. Mom and 1942 "Lives marked", by Daniel Tinayre.

YEAR 2021: "What a night wedding!” (1953), Enrique Carreras and 1969, Julio Porter.

BACK COVER: clear Lake, Oscar Martinez, Graciela Borges, Marcos Mundstock, Nicolas Francella and Luis Brandoni in "The Tale of weasels" (2019), Juan Jose Campanella.