For the first time in Argentina a sample of photos will be seen taken by Che Guevara himself, co-organized between the Municipality of Rosario and a study center located in Havana.

From Thursday 17 from January, the appointment will take place from 19 at the Center for Contemporary Expressions (Walk of the Arts 310). The sample, titled "Che photographer", can be appreciated thanks to the participation of the Che Guevara Study Center, based in the capital cuban.

Thanks to this exhibition, you can learn more about a somewhat unknown facet of the revolutionary, one of the most significant of the last century.

This exhibition has a selection of photographs taken by Guevara, that can be seen with free admission on Wednesdays to Sundays from 18 a 21 hours, until the 3 of March.

"Che Photographer" is an exhibition that toured for several European countries, as well as in China and Japan, among other countries, and arrives to Argentina through a cooperation agreement between the Center for Che Guevara Studies of Havana and the Center for Latin American Studies Ernesto Che Guevara (CELChe) Rosario, signed on 2018 and in commemoration to the 90 years of the revolutionary's birth.

On the other hand, It is an exhibition that is part of the collection "Life and Work" of the aforementioned Cuban study center, which is also endorsed by UNESCO as a genuine piece of the Memory of the World project in its international category.

Thus, the public will see more than 200 photographs that were taken during different stages of her life, thus generating a great traveling trip, with images that were selected by Camilo Guevara, son of the revolutionary, according to different stages and both historical value as artistic.

Finally, the exhibition will be complemented with texts by four photographers from Rosario. "The nucleus The Latin America that Ernesto saw", I know accompanied by texts by Beatriz Fiotto; "The focus of a revolutionary process" has a text by Silvina Salinas; "A view of the world" with writings by Virginia Benedetto, and "Self-Portrait", with Maximilian's analysis Comfort.