"Desert island", Roberto Arlt classic returns to the Teatro de la Ribera
Since Saturday 4 of May, Puppeteers Group Theater San Martin will replace the show "desert island", based on the classic Roberto Arlt, under the direction of Adelaida Mangani.
With features from the 11.30, the work will remain on Saturdays and Sundays billboard and tickets are on sale through the official site of the Theater Complex of Buenos Aires (CTBA) or at the box offices of the enclosure located on Avenida Pedro de Mendoza 1821, in the neighborhood of La Boca.
The text of "desert island" was adapted for the puppet theater, and it has an integrated cast by Emmanuel Abbruzzese, Ayelén Allende, Victoriano Alonso, Diego Báez, Ariadna Bufano, Paulina Trust, Valeria Galindez, Francisco Garrido, Bruno Gianatelli, Carolina Graff, Lucila Mastrini, Estanislao Ortiz, Olavia Paz Campos, Esteban Quintana, Ivo Siffredi and Florence Svavrychevsky.
On the other hand, steering assistance corresponds to Mariana Diaz, objects "Manuel" and "Mary" are Estanislao Ortiz, performing puppet is Walter Lamas, Alejandra Farley, Katy Raggi and Florence Svavrychevsky, original music and sound setting is Vicentico, lighting design is Omar San Cristobal, puppet design, objects and costumes are by Walter Lamas, while the set design is Carlos Di Pascuo.
In this history, a climate of alienation and conformism go hand in hand in the everyday of a current office is located in a basement. But nevertheless, a number of problems will just present when starting a move.
As it expressed Mangani, the story revolves around a text that "expresses a critical view of the world, and perhaps a little pessimistic about the human condition ". In that context, director added: "We chose to tell it with puppets direct manipulation on table away somewhat from our dimension, to enable us to have the text from the irony and tenderness ".
At the same time, puppeteers, converted vehicles characters across the stage, "They submit to them and tease each other a little overwhelming authoritarianism and routine".
Finally, Mangani marks the appearance of "the alter ego that questions about his dreams repressed and propose them why not? the adventure of freedom ".