The exhibition “Menesunda reloaded” Marta Minujin that rewrites the flagship facility for the first time made 1965 Di Tella at the Institute and rebuilt 50 years after the Buenos Aires Museum of Modern Art, successfully it exposed at the New Museum in New York.

central work of Argentine cultural imagination, “La Menesunda”, It was conceived in 1965 as a labyrinthine path structure that sought to shake the visitor's senses, through various sensory stimuli.

The exhibition lasted only two weeks open to the public and then disintegrated, but the trail was only in newspapers and documents of the time.

By Minujín with Ruben Santantonín, and with the collaboration of artists Pablo Suarez, David Lamelas, Rodolfo Prayón, Floreal Love and Leopoldo Maler, the work invited to tour a non-linear sequence of cubic spaces, polyhedral, triangular and circular coated materials of different textures, known as “the refrigerator”, “the intestines”O “woman's head”.

“La Menesunda”, entitled means “mixture” O “confusion” He is inviting the viewer to see his own image in a closed circuit televisions; then, a reposing in his underwear on a bed couple, and later, to go through a narrow passage walls covered with huge “bowels” foam.