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In order to recognize the excellence of the activity, Hand in hand with the Friends of the Teatro Nacional Cervantes Association, the prestigious “María Guerrero” awards return.

The appointment will be 2 August at the Teatro Cervantes, where the work of more than 120 nominees from different categories of scenic activity.

It is worth noting that this distinction is one of the most important that the theater offers and that it has been carried out since 1985. But nevertheless, the awards were interrupted in 2018.

In this opportunity, the jury in charge of evaluating the nominees is made up of a member of the Association of Friends of the TNC, a representative of the commission of the traditional Buenos Aires venue located on Libertad street 815 and critics and researchers who work within the theater field.

The opening ceremony will begin at 14 in the Maria Guerrero room, where the nominees of the 21 categories, spanning direction, dramaturgy, performance, scenography, music and many other artistic fields.

Likewise, the prestigious award has been designed by the outstanding national artist Natalia Abot, who recreated a work that combines aesthetic value with the symbolism and recognition that this award already possesses.

Then, The sidewalk shows you the complete list with all the nominees and categories.

ADDRESS

Pompeyo hears, for “Macbeth Room”

Matias Feldman, by “The Translation – Test 8”

Felicitas Kamien, for "Alpha and Vassa"

Claudio Martínez Bel, for “Forget the slaughterhouse”

Maria Marull and Paula Marull, for “What the river does”

Laura Paredes, by "Lorca", theater under the sand

Ciro Zorzoli, for "Comedy is Dangerous" and "Fantasmatic"

DRAMATURGY

Mauricio Cartoons, for “La vis comica”

Maria Marull and Paula Marull, for “What the river does”

Laura Paredes and Mariano Llinás, by "Lorca", theater under the sand

Mariano Saba, for “warm”

Mariano Tenconi White, for "The Captives"

LEADING/CO-LEADING ACTING

Victoria Almeida, for “Alice for the moment”

Annie Dutoit Argerich, for “Who is Clara Wieck?”

Pompeyo hears, for “Macbeth Room”

Victoria Baldomir, for "Everyday suburban"

Paola Barrientos, for "Fantasmatic" and "Comedy is dangerous"

Lucia Baya Casal, for “Memories at siesta time”

Gonzalo Carmona, for "Like a pig's foot"

Cutuli, for “La vis comica”

Stella Galazzi, for “La vis comica”

Humberto Tortonese, por "Sharp"

Rosario Varela, for “Life without Fiction”

Lorena vega, for "The Captives"

damian smajo, for "Like a pig's foot"

CAST PERFORMANCE

Lucia Aduriz, by “Luntai” and “Pampa Escarlata”

Manu Fanego, for “Alice for the moment”

Augusto Ghirardelli, for "Happy endings are for others"

Tincho Lups, for "Alice for the moment" and "Comedy is dangerous"

Mariano Magnificent, so I come back

Pablo Mariuzzi, by “Stefano”

Mariana Mayoraz, for "Happy endings are for others" and "Leviathan"

Flavia Pereda, for "My Imaginary Gift"

William Prociuk, for “What the river does”

Mariano Saborido, for “What the river does”

Luciano Suardi, by “The Translation – Test 8”

REVELATION PERFORMANCE

Nicolás Levín, by "Lorca", theater under the sand

These acting subjects will bring us real lives from Ciudad Evita, for "everyday"

Gabi Paris, for “Consecrated”

Julian Ponce Campos, for "Happy endings are for others"

Diego Quiroz, by “Alpha”

Carolina Saade, for “In this crazy world, on this bright night"

Thomas WICZ, for “Precocious”

Sabrina Zelaschi, for "Everyday suburban"

SINGLE PERSON

Rachel Ameri, by “Route”

Sol Fernandez Lopez, for “I would love for you to like me”

Pablo Finamore, for “Forget the slaughterhouse”

Andrea Garrote, by "Pundor"

Marcos Montes, for "Man of Steel"

Miriam Odorico, by a"

Horacio Roca, for “warm”

Marcelo Savignone, by "On Interpretation"

Maria Seghini, for "Crazy Juana"

Violeta Urtizberea, for “A House Full of Water”

Diego Velazquez, for "Failed Writer"

ADAPTATION

Pompeyo hears, for “Macbeth Room”

Pablo Finamore and Claudio Martinez Bel, for “Forget the slaughterhouse”

Walter Jacob, Agustín Mendilaharzu and Felicitas Kamien, por "Sharp"

Luciano Mansur, for "Project Frankenstein"

Mariano Saba, for "Happy endings are for others"

TRANSLATION

Augustine White, for "Alice for the moment" and "Molière despite himself"

Carla Calabrese and Marcelo Kotliar, por “Come from Away”

Cecilia Chiarandini, for “Marble”

Giampaolo Samá, by a"

Victoria Sarchi, for “When the Rain Stops Falling”

SCENARIO AND SPACE DESIGN

Santiago Badillo, by "Hell"

Gonzalo Cordoba Estevez, for “What the river does” and “Memories at siesta time”

Rodrigo Gonzalez Garillo, by “The Translation – Test 8”

Micaela Sleigh, for "Happy endings are for others", "The great

Resignation", "dirty hands","Everyday suburban" and "Life without fiction"

Cecilia Zuvialde, by “The Hands of Eduviges at the Moment of Birth”, "The Age of Leather", “Vassa” and “I would love for you to like me”

Cecilia Zuvialde and Eduardo Basualdo for "Work of the Devil - Invocation XI Bausch"

LIGHTNING

Fernando Berreta, for “The Leather Age”

Adrian Grimozzi, for "The Green Ray" and "What the River Does"

Horacio “Chino” Short story, for “Macbeth Room”

Ricardo Sica for "Man of Steel", "Evitacora", "Warm", "Life without fiction", "Scarlet Pampa" and "The Translation – Test 8”

Eli Sirlin, for "Comedy is Dangerous" and "Fantasmatic"

LOCKER ROOM

Magda Banach, for “The captives” and “Vassa”

Melina Benitez, for "Like a pig's foot"

Gabriela A. Fernandez, for “La vis comica”

Gabriella Gerdelics, for "The Queens", “Ana and Wiwi” and “Her name means woman”

Julio Suarez, for "Comedy is Dangerous" and "Fantasmatic"

AUDIOVISUAL/ MULTIMEDIA DIRECTION

Lucio bazzalo, for “The Leather Age”, “Fuck me”, "The last Bonaparte" and "Pablo Rotemberg: Lecture on Nothing”

Nadia Benedict, for “Life without Fiction”

Euge Choque and Demián Ledesma Becerra, por “Brotherhood”

Manuel Hayne, by “The Translation – Test 8”

Maxi Vecchio, by “Family No Type and the evil cloud” and “Network”

PHOTOGRAPHY

Mariana Fosatti, by Leviathan

Carlos Furman, por "Sharp", "The green ray" and "What the river does"

Gustavo Gorrini, for “Medea meditative”, "Imaginary beings of Borges" and

"Swallow Solitude"

Marcos Lopez Studio (images and graphic design), by "Hell"

Julieta Raponi, for "Like a pig's foot"

Bernabe Rivarola, for “Macbeth Room”

PUPPET AND OBJECT THEATER

Juan Manuel Benbassat, Daniela Calbi, Alejandra Farley, Leonardo Volpedo (puppet making), for "When the Wind Roars"

Juan Manuel Benbassat, Daniela Calbi (design and realization of puppets and objects), by “Evitacora”

Ariadna Bufano, Eleonora Dafcik, Silvia Galvan, Bruno Gianatelli, Fernando Morando, Mariano Pichetto, Esteban Quintana (puppeteer performance), for "The Green Ray"

Nicholas Constantine (object design), for “Medea meditative”

Daniel Fiorentino (puppeteer performance), by "Ana and Wiwi"

Luciano Mansur (puppeteer performance), for "Project Frankenstein"

claudio rodrigo (puppet building), by Juan Moreira, a folk legend”

THEATER for CHILDREN and ADOLESCENCES

Mariana Chaud and Gustavo Tarrio (authorship and direction) for “Family No Type and the evil cloud”

Emiliano Dionisi (authorship and direction), for “Dream” and “Memories at siesta time”

Juan Ignacio Fernandez (dramaturgy) y Cecilia Meijide (address) for "Alice confusion"

Fernando Flores May (authorship) and Claudio Gallardou (address), for “Imaginary Beings of Borges”

Lorena Romanin (authorship and direction) by "Ana and Wiwi"

Mariano Taccagni (authorship) and Pablo Gorlero (address) for "My Imaginary Gift"

DANCES and MOVEMENT ARTS

Luis Biasotto (authorship and choreography) and Luciana Acuna (authorship, choreography and direction), for "Black Ice"

Alina Marinelli (conception and direction), for "The gravity of the encounter"

Marina Otero (dramaturgy, direction and interpretation), por “Fuck me”

Paul Rotemberg (choreography and direction), for “The Leather Age”

Diana Szeinblum (choreography, dramaturgy and direction), for "Work of

Demon -Summon XI Bausch”

SONG

Ulysses Conti (original music), for "Devil's Work" – Invocation XI Bausch”

Axel Krygier (original music and sound design), for “The Leather Age”

Claudio Pena (original music and performance), for “Macbeth Room”

Ian Shifres (original music and performance), for "The Captives"

Nicolás Varchausky (original music and performance), by "Hell"

INTERNATIONAL SHOW

“Come from away”, The Stage Company

"The battle of the absent", The Zaranda

“Moliere, despite himself", The New Popular Theater

"Space Tension", Jae Duk Kim

INSTITUTIONS

Argentine Association of Theater Research and Criticism (15 years)

Provincial Comedy of La Rioja (55 years)

National Theater Institute (25 years)

Municipal Theater of Bahía Blanca (110 years)

Rodolfo Funke de Tornquist Theater (100 years)

SPECIAL PRIZE

space alley (30 years)

Catalinas Sur Theater Group (40 years of community theater 1983-2023)

Carlos and Tomás Rottemberg for the Liceo Theater, oldest active private room in Latin America

TRAJECTORY

Mauricio Cartoons