As part of the BIENALSUR, this Saturday 6 November the artist Luis Felipe "Yuyo" Noé will present "Entreveros" at the Museum of the National University Tres de Febrero (MUNTREF).

Through the Luis Felipe Noé Foundation, "Entreveros" is an installation created in 2017 and that it was destined for the exhibition "Prospective Look" at the National Museum of Fine Arts. Later, the artist donated his work to the foundation two years later.

In this way, "Entreveros" means the main piece of the foundation's collection.

Through this project, aims to create the necessary tools to disseminate and keep the thought of Luis Felipe Noé current. For this reason, the installation is part of a larger program that encompasses archiving tasks, investigation, education, publication and dissemination of the work.

Likewise, From the Noé Foundation it is proposed to generate cultural and educational activities that establish growth in a network with other institutions such as, in this opportunity, the inclusion of the installation in BIENALSUR.

"Entreveros" presents an image of rupture that is part of the aesthetic inquiries that the artist has been working on., from the sixties to the present, and that configure a new way of thinking and living "painting" in relation to the surrounding space..

A) Yes, in pioneering works such as "Mambo" (1962) and "Hope of a painter" (1964), the exploration of the concepts of divided painting and broken vision are linked to the space by turning the frame or incorporating frames on the works.

From this process of construction and deconstruction, its facilities are born: “Balance” (1964-65), "Introduction to chaos" (1964), "That's life, miss" (1965) -created in New York and then destroyed-, "Being national" (1965), "National establishment" (1994), "Reflections with and out of context" (2000) and "Coherent Oxymoron" (2014), are some of the most emblematic.

In the creation of "Entreveros", the artist takes up the irregular volumes that come into play with color and line, add organic forms, broken mirrors and ceramics that chaotically unfold in and between the fragments that make up their possible structure. Viewers are installed in an experience that seems to question our sense of stability and dominance of the world to participate in its "true" nature..